____________________(<!W!)>____(<! o ! )>______________________________________________
http://www.myspace.com/datpolitics
more info and tix coming soon!
http://www.myspace.com/xiuxiuforlife
May 6 Busan- Basement
May 7 Daegu- TBC
May 8 Seoul – Rolling Hall
공연 관련 정보는 빠른시일내에 업데이트 하겠습니공연 관련 정보는 빠른시일내에 업데이트 하겠습니
more information coming soon!
Seoul Tickets sales begin at What’s Up? & Raleigh Moncrief Show @ Club Ssam, April 10th
Sacramento-conceived, Portland-transported math pop phenoms What’s Up? are Teddy Briggs (Drums/Keyboards ), Brian Pasos (Bass), and polymorphic instrumentalist Robby Moncrieff, of The Advantage and Marnie Stern. The trio, scheduled for their Korean debut this April by way of SUPERC۞L۞RSUPER Concerts, are most noted for their abstract melodic compositions on complex progressive, art/math rock constructions; producing some of the most playful harmonies atop an intricate, densely arhythmic and highly original musical script. The do-or-die energetic performances gained them a spot on Obey Your Brain Records early last year alongside Man Man and Beirut, and earned them full tours with indie greats The Dirty Projectors, and Deerhoof as well as shows with Mono, Tune-yards and Animal Collective.
In their superbly-crafted debut album Content Imagination (Obey Your Brain)– recorded above an underground Sacramento art house, the release’s colorful sonic score stands alone; a work written in a foreign musical language not yet caught on by the mainstream. What’s Up?’s execution, stylistically hectic and decidedly lo-fi, sounds altogether precise and robotic while maintaining a unique aesthetic blend of beautifully-distorted synths, tight drum rhythms and odd, but incredibly melodic passages. The EP, approximately thirty minutes long, is at every moment dense with tightly-woven intricacies and refreshing to even the most discriminating audio palette. It remains debatable that the only thing more impressive than the craftmanship behind Content Imagination is the energy and chemistry behind the band’s live performances.
video: http://vimeo.com/5347223
Also joining to support an ambitious beat-based record Combed Over Chrome EP (Obstructive Vibrations) is Raleigh Moncrief; an artist that grows more expansive and ambiguous with each successive track. The tracks are a trans-genred collage of experimental noise-ghetto beats and glitchstep. All tracks feature heavy bass beats and glittering synth arpeggios and samples from the Dirty Projectors, who Raleigh recorded Bitte Orca for.
video: http://vimeo.com/6975496
매쓰팝의 천재들로 주목받고 있는 What’s Up? (Sacramento에서 결성되어 Portland에서 활동중인)은 Teddy Briggs (Drums/Keyboards ), Brian Pasos (Bass) 그리고, 그룹 The Advantage 뿐만 아니라 Marnie Stern에서도 활동했던 다양한 경력의 소유자 Robby Moncrieff로 구성되어 있다. 추상적이고 복잡하지만 진보적인 매쓰록 구성과, 파워풀하고 흥겨운 그들만의 세련됨과, 독창성으로 주목 받고 있는 이 트리오가 SUPERC۞L۞RSUPER의 기획으로, 한국에 첫 발을 내딛는다. 죽기아니면 까무러치기 격으로 에너제틱한 그들의 퍼포먼스로 Man Man이나 Beirut가 소속되어 있는 Obey Your Brain레코드사의 스포트라이트를 받아, 인디씬의 명사가 되어버린 Dirty Projectors, Deerhoof와 긴 투어를 함께 했고, 뿐만 아니라 Mono, Tune-yards, Animal Collective 와도 함께 공연했다.
사크라멘토의 한 아트하우스에서 녹음된, 그들의 빼어난 데뷔 앨범 Content Imagination (Obey Your Brain)은 아직 메인스트림에서는 따라가지 못할 독창적인 그들만의 다채로운 음악언어로 우뚝서있다. 이러한 독특하고 아름답지만 뒤틀린 전자음과, 박진감 넘치는 기묘한 드럼라인, 형용할 수 없는 멜로디 라인이 펼쳐지는 동안, 스타일리쉬한 긴장감과 로우파이 사운드가 한데 녹아들어 What’s Up?의 솜씨를 유감없이 드러내준다. EP는 매 순간 타이트한 정교함과 신선함, 차별적인 음향 색감으로 30분 가량의 러닝타임동안 채워져있다. 라이브 퍼포먼스에서 Content Imagination의 솜씨보다 더욱인상적인 것이 에너지와 어떠한 화학적 끌림이라는 것은 눈여겨볼만한 사실이다.
video: http://vimeo.com/5347223
또한 이번 콘서트에서 협력자로 나선 일렉트로닉 비트로 무장한 Combed Over Chrome EP (Obstructive Vibrations)의 Raleigh Moncrief는 그의 성공적인 트랙들과 함께 계속해서 전도유망해지고 규정되지않은 음악스타일로 주목받고 있다. 그의 트랙넘버 들은 익스페리먼탈 노이즈와, 게토비트, 글리치스텝의 장르를 넘나든다. 모든 트랙들은 무게감있는 베이스비트와 빛나는 신스아르페지오, 그가 Bitte Orca의 녹음 작업에 참여 했던 Dirty Projectors이 두드러진다.
APRIL 8 BUSAN– THE BASEMENT more info soon
APRIL 9 DAEGU- HEAVY more info soon
APRIL 10 SEOUL- SSAM 730pm, 20,000W PRESALE/ 25,000W DOOR
APRIL 11 DAEJEON- BRICKHOUSE 800pm 10,000W
“Slick textures and oscillating harmonies…” – San Francisco Guardian
“…exquisite collection of intricate electro-pop chimes and microrythms.” – The Wire
“Effortlessly pretty instrumental electronic pop, sunny and almost whimsical… sincere and unpretentious.” – NOW Toronto
“The vibrancy that pours out of his hands are the result of careful study and preparation, a desire to fuse every instrument together into one great instrument capable of taking any influence and running with it…”- Brainwashed
Since 2001, Toronto-native indietronic darling Shaw-Han Liem, has been releasing some of the most beautifully organic ambient albums under his stage moniker I am Robot and Proud. Liem’s signature sound of meticulously arranged electropop melodies have earned him tours with bands such as The Constantines, Printed Circuit, Marumari, Ariel Pink, and The Unicorns. The 2008 release of Uphill City offers ten excellently-crafted electropop constructions– a flurry of microsounds, reliant on simple tones and rhythms, but grounded by well-defined song structures and deft control of dynamics. Though delicately composed, many of the tracks on Uphill City mount with bright blippy currents. The audio coloration of Liem’s works, always bright, uplifting, and styled with uptempo beats, also flow with real human sentiments and emotions with details lurking beneath its primary-color laden glossy surface. All arrangements are intricate while remaining instantly accessible to its listeners. Uphill City wins by way of the ease with which it carries its wide-eyed and exuberant musical personality. The arrangements and writing are always intelligent, but more than anything its merit and triumph lies in making a connection with its audience. The upcoming release of Uphill City Remixes & Collaborations (Darla) will feature all-new remixes including contribution from Shugo Tokumaru, Lullatone, and Oorutaichi.
Liem has been participant in the global launch of the collaboratively conceived Tenori-On electro pad by media designer Toshio Iwai and Yamaha. He is also currently lending himself to a collaborative role in the realm of independent video game music, working alongside creator of Everyday Shooter Jonathan Mak on an upcoming videogame, for which he will serve as both music composer and sound designer.
April 22/ Basement, Busan
April 23/ Club Heavy, Daegu
April 24/ Live Club Ssam, Seoul
***Price & Time TBA
Promotional & press tickets, interviews: supercolorsuper@gmail.com
“매끄러운 택스쳐와 전율하는 하모니..” – San Francisco Guardian
“ 섬세한 일렉트로 벨사운드와 마리크로 리듬의 아름다운 결합.” – The Wire
“ 무심한 듯, 아기자기한 인스트루먼탈 일렉팝, 제기발랄한 순수, 진정성.” – NOW Toronto
“ 그의 손에서 쏟아져 나오는 전자음은 섬세한 노력과 준비의 산물, 어떠한 영향력도 그 안에 한데 녹이고 융합 시켜버리는 열정…” - Brainwashed
2001년 이래로, 토론토 출신 인디트로닉의 총아 Shaw-Han Liem은 I am Robot and Proud 이라는 이름아래 섬세하고 아름다운 앰비언트 앨범들은 내놓았다.
그는 시그너처 스타일인 기민하게 정돈된 일렉트로 멜로디로 인정받아 The Constantines, Printed Circuit, Marumari, Ariel Pink, and The Unicorns 과 같은 팀들과 함께 투어했다.
고르게 정제된 곡 구성에 기반했지만, 간결한 톤과 리듬에 곁들인 흩날리는 미니멀 사운드, 능수능란함과 다이내믹함으로. Uphill City의 많은 곡들이 유쾌한 전자음의 반복과 흐름으로 고조되는 방식이긴 하지만, 여전히 세련된 느낌이다.Liem의 음색은 언제나 눈부시고, 행복감을 주며, 업템포비트 스타일로서, 인간 내면에 숨어 본연의 색을 띄고있는 서정과 감정선을 따라 흘러, 모든 곡 구성은 리스너 들이충분히 공감할 수 있도록 해준다. Uphill City 의 전 트랙을 감상하면 안락함을 느끼는 동시에 생명력 넘치는 사운드로 놀라게 된다. 그의 곡들은 언제나 센스가 넘치고 스마트 하지만, 그보다 더 중요한 것은 리스너들 과의 교감일것이다.
곧 발매되는 Uphill City Remixes & Collaborations (Darla) 앨범에서는 Shugo Tokumaru, Lullatone, Oorutaichi가 참여한다.
Liem has been participant in the global launch of the collaboratively conceived Tenori-On electro pad by media designer Toshio Iwai and Yamaha.
Liem 은 미디어 디자이너인 Toshio Iwai 와 Yamaha 에서 주최한 글로벌런치 행사 Tenori-On 에 참여했으며, 또한 Everyday Shooter Jonathan Mak이라는 인디 비디오게임 뮤직의 제작자와 함께 음악가로서, 게임음악 제작자로도 협업 중이다.
Website: http://www.robotandproud.com/ http://www.myspace.com/iamrobotandproud
Video: http://www.vimeo.com/5202860
April 22/ Basement, Busan
April 23/ Club Heavy, Daegu
April 24/ Live Club Ssam, Seoul
Promotional & press tickets, interviews: supercolorsuper@gmail.com
http://www.myspace.com/iamrobotandproud
공연 관련 정보는 빠른시일내에 업데이트 하겠습니공연 관련 정보는 빠른시일내에 업데이트 하겠습니
more information and tickets coming soon!
April 3-5
http://www.myspace.com/coldcave
공연 관련 정보는 빠른시일내에 업데이트 하겠습니공연 관련 정보는 빠른시일내에 업데이트 하겠습니
more information and tickets coming soon!
Mt. Eerie (formerly The Microphones)
“… forging sweet tunes, childlike vocals, solar noise, and enigmatic tape collages into one molten mass.” -Pitchfork, 9.3/10 score
“The Glow Pt. 2… a lot of people cry and proclaim the end of/beginning of music.” -Fader
“Mount Eerie seems very patient and deliberate… droning, meditative folk-rock.” -The New York Times
Over a decade after the release of Don’t Wake Me Up (1999, K Records), Mount Eerie’s Phil Elverum is touted to be one of modern folk-rock’s most notable personages, ranking cornerstone-status with critics and contemporaries. Since performing under the former moniker The Microphones, Mount Eerie has arrested listeners with stunning creative outputs; works oftentimes heavily-influenced by the Pacific Northwest environs from which he hails. Mostly artistically-hermetic to Anacortes, Washington, Elverum’s surroundings have an immense imaginative grip over his music/production/photography/ publishing– an inspiration so obviously manifest in the very source of his namesake being derived from an actual mountain that looms over the forest where he grew up. Mount Eerie’s artistry is incredibly rich in understated minimalism, subtle esoteric tones, and triumphantly-crowned with organic achievement. These signature artistic markers are tightly woven into the fabric of Mount Eerie’s sonar landscape as much as they are inherent in his surrounding physical environment. Elverum’s music is striking as platform and medium to the junction of spatial naturalism and subliminal, romantic curiosity, always brilliantly highlighted with the most potent and unparalleled verbose/aesthetic detail.
앨범 [Don't Wake Up](1999, K Records) 릴리즈 이후 어느덧 10년, 원맨 프로젝트 Mount Eerie의 Phil Elverum은 평단과 열혈 리스너들로부터 모던 포크 록 신의 가장 주목할 만한 천재적인 인물이라는 평가를 받아 왔다. 1990년대, 로파이를 기반으로 일렉트로닉 팝을 가장한 초 아날로그적 프로젝트였던 The Microphones 시절부터 Mount Eerie는 가히 충격적인 크리에이티브한 작업들로 리스너들을 사로잡아 왔다. 그 내면에는 그가 종종 묘사하는 태평양 북서부의 광활한 자연 환경으로부터 영향받은 독특한 음의 세계가 자리잡고 있다. 예술의 정기가 가득한 Washington의 Anacortes라는, Elverum이 머금어 온 환경에서 기인된 독특한 창의성은 그의 무한한 상상력과 감각에 필터링되어 음악 뿐만이 아닌 프로덕션, 사진, 출판에 이르기까지 명백히 드러난다. Mount Eerie라는 이름 역시 그가 성장해 온 아름다운 숲 너머로 아스라이 보이는 실제 산의 이름이다. 무엇보다 그의 예술적 기교는 절제된 미니멀리즘과 매니악하면서도 절묘한 사운드의 색감을 통해 믿을 수 없을 정도로 풍부하게 표현된다. 이와 같은 예술적인 특징을 갖는 Mount Eerie만의 상징들은 그를 둘러싸온 자연의 풍경만큼 단단히 짜여져 있어, 그의 음악 역시 공간을 강조하는 자연주의와 잠재 의식, 낭만적인 호기심의 합류점을 이루는 플랫폼의 역할로 부각되었다. 여기에는 더할 나위 없이 강력한, 장대하면서도 심미적인 디테일이 부수적으로 따라 온다.
On its original debut seven years ago, online music authority Pitchfork ranked The Glow Pt. 2 (2001, K Records) with a number one spot on their ‘Top Twenty Albums of 2001′ listing. The recent reissue of the album with bonus disc, has proven that Elverum’s most essential work continues to appeal– remaining intact as a culmination of exceptional production and impressive songwriting that stands immune to the test of time. Intense exploration of personal themes, recalling lost loves and childhood memories, are seamlessly captured in a composition so versatile that gentle melodies over muted acoustics seamlessly interchange with more textured layers of indulgent, explosive guitar noise and booming drums. The album continues to make avid listeners of those fortunate in stumbling across its second birth. When home in Anacortes, Elverum operates P.W. Elverum & Sun, ltd., a “family-run poem printer/record label/souvenir vendor” and creative portal for releasing the products of his refined crafts.
7년 전 공식 데뷔 앨범 [The Glow Pt.2] (2001, K Records)는 피치포크의 «2001년 탑 20 앨범»의 넘버 원을 기록한 바 있다. 2008년, 보너스 디스크가 추가된 리이슈 앨범은 Elverum의 가장 기본적인 루츠가, 눈에 띄는 프로덕션과 인상 깊은 송라이팅의 정점으로 고스란히 두드러지며 시간이나 유행에 구애받지 않음을 증명해 주었다. 실로 Elverum의 음악은 뮤트된 어쿠스틱 사운드를 부유하는 부드러운 멜로디들로 가득 차 있는데, 이는 개인적인 테마들의 강렬한 탐험인 잃어버린 사랑과 유년 시절의 기억들을 상기시킨다. 격정적인 기타 노이즈와 아름답게 울리는 드럼 또한 이 멜로디들을 탄탄히 받쳐 주며 천상의 소리를 이끌어 낸다. 고향 Anacortes에서 Elverum은 ‘P.W. Elverum & Sun, ltd.’,라는, 가족과 함께 운영하는 핸드 메이드 북 작업소/레코드 레이블/기념품 가판대를 운영하며 그의 고상한 ‘작품’들을 소개하고 있기도 하다.
Website: http://www.pwelverumandsun.com/ MySpace: http://www.myspace.com/mounteerieorthemicrophones
_______________________________________________________
Monday, March 1- Rolling Hall 6:30p.m. advance 24,000 / door 28,000
Send Money to:
Mi Kyung Christina Cho ::
Shinhan Bank :: 110 274 113339
After wiring, Send an email to
scstickets@gmail.com with:
1. your name…./….2. number of tickets…./….3. amount sent
“…mesmerizing music suitable for a film score…” -Pitchfork
“…some of the only performers to legitimize ‘post-rock’ as a term of art”. -PopMatters
“Each track complements the next… a standalone work of utmost excellence and elegance.” -BBC Music
“Other Truths shows Do Make Say Think more adept at sketching out and imagining their own widescreen landscapes.” -Pitchfork
Toronto’s Do Make Say Think has always managed to gather, balance and synthesize various poles simultaneously – ragged/precise, dirty/clean, atmospheric/stratospheric – forging sonic narratives that combine broad strokes and clusters of detail. Perhaps more than their overtly ‘post-modern’ commingling of various musical genres (psych, jazz, dub, folk) it is this less conspicuous, indefinable ability to maintain such a consistently enthralling fusion of instincts that yields a music so unforced and natural. Certainly a key part of this unquantifiable equation is the band’s self-production, which has always been a hallmark of their offerings. Led by Ohad Benchetrit and Charles Spearin, core members of Broken Social Scene and Justin Small, the 9- member DMST has a toolbox of recording and mixing techniques that cohesively ties together the various elements of their signature sound.
The sixth full-length from Do Make Say Think, Other Truths, defiantly features four longform tracks which trace the inimitable musical arcs that have made this band justly celebrated for their unique audio palette and vibrant compositional forms. Creating some of the past decade’s most consistently rich and rewarding instrumental rock, they buck the trend towards diminishing attention spans, immediate gratification, snappy digital singles and things that go ‘pop’ right out of the gate. DMST admirably stick to their roots and allow the vines that spring from their fertile musical garden to wind, curl and climb for as long as required. More than ever, the players creates wonderful multi-movement instrumental pop-rock anthems (with the occasional mantric or wordless vocal passage) overflowing with attention to tone and timbre, animated by unfussy yet ornate harmony, melody and ploy-rhythm that shoots through the ineffable soul. The four songs on Other Truths are vintage Do Make Say Think, and the album represents the first time since the band’s debut (recorded over a dozen years ago) that they have found themselves with an entire collection of songs that unfold so organically over long duration. As testament to the unfettered evolution of these tunes, the band has titled them simply “Do”, “Make”, “Say” and “Think”.
Ultimately it is tricky to distill what has made DMST magnetic in compelling so many critics and fans over their 13-year history, but inarguably something beyond the sum of its parts always sparkle through their music. An amalgam of many elements present all at once, on every song and through every album: cerebral, emotional, atmospheric, cosmic, pastoral, synthetic, organic, meditative. Other Truths rallies them all once again, in new and dynamic ways, bearing the distinct imprint of the band’s sound – continuously expanding in brilliancy and growing the band’s canon.
http://domakesaythink.com/
http://www.myspace.com/domakesaythink
토론토 출신 Do Make Say Think는 광범위한 스트로크와 디테일한 클러스터를 결합한 소리들을 구축하며 들쑥날쑥함/정밀함, 더러움/깨끗함, 평범함/비범함 과 같은 다양한 반의어들을 일제히 모으고 균형을 유지하며 결합시켜 왔다. 설명하기 힘들 정도로 뛰어난 그들의 음악적 능력은 여러 장르의(사이크, 재즈, 덥, 포크) 뻔 한 포스트 모던적 믹싱보다도 강요하지 않으며 자연스러운 음악을 내놓는 본능의 매혹적 결합을 유지하는데 있다. 분명한 점은 이 수량화할 수 없는 등식의 열쇠가 바로 밴드의 모든 특징이 담긴 그들 스스로의 제작품이라는 것이다. 리더 Ohad Benchetrit 와 Charles Spearin, Broken Social Scene의 핵심멤버들, Justin Small, 총 9명의 DMST 멤버들은 그들의 시크너쳐 사운드의 다양한 요소들이 화합하게 만들며 레코딩하고 믹싱하는 기술을 가지고 있다.
Do Make Say Think의 여섯 번째 앨범, OtherTruths 는 도전적인 네개의 긴 형태의 트랙이 특징적이다. 이는 밴드가 그들만의 음악적 색채와 역동적 작곡 방식을 인정받아오며 이끌어 온 독특한 음악적 궤도에 기인하는 것이다. 그들은 지난 10년간 끊임없이 풍부한 것들을 만들고 인스투루먼탈 락을 즐겨오면서 집중되는 시간을 약화시키고 즉각적 희열, 재빠른 디지털 싱글과 pop의 경계를 막 넘으려하는 것들의 추세를 피하려고 한다. DMST는 자신들의 뿌리에 아주 충실하면서도 그들의 비옥한 음악정원으로부터 나온 포도 나무덩굴들이 가능한 한 잘 뻗어 갈 수 있도록 만든다. 그 어느 때보다도 멤버들은 훌륭한 multi-movement instrumental pop-rock 노래들을(때때로 만트라 적인 혹은 말없는 보컬의 구절과 함께) 만들어 내고 있다. 노래들은 톤과 음색에 집중하면서 단순한 것 같지만 화려하게 장식된 조화, 멜로디, 그리고 형언할 수 없는 영혼을 관통한 폴리리듬들로 생기가 가득하다. OtherTruths 앨범에 삽입된 네 곡은 빈티지한 Do Make Say Think 의 모습이다. 그리고 이 앨범은 긴 시간을 지나 자연스럽게 펼쳐진 곡들의 컬렉션과 함께 그들 스스로를 발견하게 된 데뷔(12년 보다 전에 녹음되어진)때의 시간을 대변한다. 이런 자유로운 툰을 증명하기라도 하듯이 밴드의 이름은 “Do”, ”Make”, ”Say”, “Think” 이지 않은가.
Opening:
Vidulgi Ooyoo, On Sparrow Hills
Tickets:
advance- 40,000KRW
Door 50,000KRW
student 30,000KRW
Send Money to:
Mi Kyung Christina Cho ::
Shinhan Bank :: 110 274 113339
After wiring, Send an email to
scstickets@gmail.com with:
1. your name…./….2. number of tickets…./….3. amount sent
Chinese Post-Punk Outfit Brings New Culture Revolution
at the fore of the new school of China underground renaissance, Carsick Cars are set unleash a blissful blend of frenzied guitar riffs and textured melodies on their first Korean tour. Since 2005, the Beijing-based trio have been stirring up an explosive musical riot among China’s growing counterculture and have garnered an impressive list of appearances. The three-member anti-culture outfit fronted by Zhang Shouwang on vocals/guitar, Li Weisi on bass, and Li Qing on drums, have played every major live venue in Beijing and Shanghai. Catching attention from abroad— the little luminaries were chosen to tour Europe with the keystone of their sound, Sonic Youth, performed at All Tomorrow’s Parties (UK) and played Primavera Sound (Spain). Here, in 2010, the band is returning off a successful US tour and come spring, are slated to appear at the iconic Indie census, the SXSW festival.
http://carsickcars.com/
http://www.myspace.com/carsickcars
지금껏 볼 수 없었던 역동적이고 화려한 사운드로 중국 언더그라운드 신을 평정하며 그 독특한 색으로 세계를 사로잡은 포스트 펑크 밴드 ’Carsick Cars’. 화제의 중심에 있는 그들이 광란의 기타 리프와 중독성 있는 멜로디로 무장한 하이퀄리티 사운드로 2010년 2월 한국을 방문한다.
2005년 베이징에서 결성된 Carsick Cars는 중국 반문화를 위시하는 모토 아래 활발한 라이브를 통해 막강한 지지를 얻어 왔다. Zhang Shouwang(Vo/G), Li Weisi(B), Li Qing(Dr), 이 걸출한 세 멤버는 베이징과 상하이의 주요 공연장에서 라이브를 해오며 미국과 유럽에서의 주목을 받게 되었고, 무려 영국의 All Tomorrow’s Parties에서 Sonic Youth와의 공연에 이어, 스페인의 Primavera Sound를 통해 유럽 입성에 성공하였다. 2010년 봄, Carsick Cars는 미국 투어와 함께 인디 록 신의 상징인 SXSW 페스티벌에 참가한다.
“China’s most visceral new act.” -The Guardian UK
“Sonic Youth and Dinosaur Jr. have already vouched for the noisy atmospherics of Carsick Cars.” -Time Out New York
THU, FEB 4 @ The BASEMENT, Busan 15,000KRW – w/10 tickets available @ club
FRI, FEB 5 @ HEAVY, Daegu 15,000KRW w/ Zentaffy [[to reserve, wire money to Christina with an email to diydaegu@gmail.com]] MAP
SAT, FEB 6 @ DRUG, Seoul Tickets: 20,000KRW Adv /24,000KRW Door w/ Eloise, 10
Wire money to:
Mi Kyung Christina Cho :: Shinhan Bank :: 110 274 113339
After wiring, Send an email to
scstickets@gmail.com with:
1. your name…./….2. number of tickets…./….3. amount sent
Daegu’s first ever warehouse -style party thrash in a 300pyong hall on Kyongbuk University. Zines/Art Market/Exhibition, Bands, DJs, VJs!! By the organizers of Round Robin Daegu and the YACHT/Nosaj tours!
THE ART
Art/Zine market with 20 Local and International Artists!!!
THE BANDS
DJ Silent [Opening for 2ManyDjs on Jan 30th!]
10 [back from touring Japan with Lightning Bolt !]
Yamagata Tweakster [luxury pop]
Zentaffy [loud heavy rock]
THE PLACE
SPACE 9, Kyongdae Buk Moon (North Gate)
(No outside alcohol)
THE PLAN
7:00pm-9:00pm Mixer- Art Market/ DJs Quies and Sssighborggg
9:00pm-dawn Live Music/ Rage
THE TICKETS
13,000WON (free Tuna Attack Zine with ticket)
Wire money to:
Mi Kyung Christina Cho
Shinhan Bank
110 274 113339
after wiring, Send an email to
diydaegu@gmail.com with:
1. your name
2. number of tickets
3. amount sent
presented by:
SUPER C۞L۞R SUPER
http://supercolorsuper.com/
Sponsored by Federation of KNU Dongari and Zak!In
Facebook event
- All the bands set up at the same time along the perimeter of the room with the audience in the center
- Each band does one song at a time, no breaks, back to back to back etc., until the show is completed
- There is no headliner or opener, no front row or back of the room
- 모든 밴드가 공연장 한 가운데에 위치하게 되는 관객들을 중심으로 주변의 사방, 여러 곳으로 동시에 자리잡습니다.
- 각 밴드가 공연이 끝날때까지 쉬지않고 돌아가면서 연주를 합니다.
- 관람석 앞 뒤가 구분되지 않아 자유롭게 공연을 즐길 수 있습니다.
5 Bands: Hundreds of fingers, 14 Amps, dozens of eyes
Round Robin 2010 in Seoul!
Yamagata Tweakster (Luxury Pop)
Bridget & the PuppyCats (Acoustic/ Folk)
Murmur’s Loom (Math Rock/ Post-Rock)
Ankle Attack (Heavy Rock)
Quarkpop [AKA NEUROSE] (Breakcore/ IDM)
@ Club Freebird, 1030PM
15,000KRW
Tickets
Wire money to:
Mi Kyung Christina Cho
Shinhan Bank
110 274 113339
after wiring, Send an email to
scstickets@gmail.com with
1. your name
2. number of tickets
3. amount sent
space is limited to 250 people
presented by:
SUPER C۞L۞R SUPER
1 Free Copy of tuna attack with Entry, 13,000W
9:30 @ Bowie Club, Hongdae
Bands:
sssssighborgggg
Trampauline
Eloise:
DJ Jordan
ARTMAKRTETETT!!
Zines, prints for sale by:
LSD
Amalgama Industries
Laura Shand
MattSea
Evany
Daniel Di Capua
2009년 겨울에 발간될 새로운 zine, 튜나어택.
언더그라운드의 실력있는 아티스트들이 작업을 장르와 국적에 관계없이 소개하는 새로운 잡지, TUNAATTACK이 발간됩니다
실력과 감각으로 검증된 아티스트들의 작업과 투나어택이 교차되어 무료한 당신의 눈과 귀에 신선한 환기를 시켜줄 것입니다.
Tuna AttacK release PARTY!
싱싱하고 기름진 초감각 아티스트들의 작업을 소장한 기회, 파티 속 아트마켓!
당신을 무아지경으로 몰아넣을 싸이키아방가르드일렉트로닉유니크한 밴드 엘루이즈/트램퓰린 / 싸이보그 / dj 조단 의 공연!
파티 속에 진행되는 아트퍼포먼스!
당신의 틀을 깰 슈퍼참치의 공격
tuna attack is a new leaflet-style underground zine of images, music, emotions. meant to new to share the work of its Korean-based founders Chloe and Sseo with others collaborators, in Korea and elsewhere..
www.tunaattack.blogspot.com for more information and to get involved.
tunaattack will continuously work on a central ANIMAL.. each issue will select an animal and show images and introductions. not published story, or a heavier type of campaign, tunaattack presents them without essay, politic, for people’s observations, as in nature..
however, you should remember the attack was not responsible for any change..
space is limited to 250 people
presented by:
SUPER C۞L۞R SUPER
“Precisely programmed digital ear candy.” — Rolling Stone
“BEST NEW MUSIC” — Pitchfork
“Their music is partisanal cotton candy: one part Tom Tom Club, one part Yoko Ono.” — The New Yorker
“Don’t miss the boat on YACHT.” — The FADER
“The energy they brought, the aerobic choreography, the propelling beats, and the catchy repetitive mantras
were irresistible.” — Vanity Fair
Triangle lovers, electro talent heavies, and self-professed “band, belief system, and business”— aquatic musical egos YACHT (DFA Records) showcase their eclectic and cutting-edge blend of avant-pop, playful electronics and acoustic percussion as they tour in their Korean debut. Conducted by band members Jona Bechtolt and Claire Evans (Portland, Oregon), YACHT’s extensive resume boasts a European tour with indie elites Yeah Yeah Yeahs, collaborations with New York City’s New Museum of Contemporary Art and the Portland Institute of Contemporary Art. The ambitious See Mystery Lights, is being touted as one of “Best New Albums” by online musical authority/bible Pitchfork.
The songs on See Mystery Lights– from the bouncy, burbling you-can’t-take-it-with-you screed “The Afterlife” (which plays like a less spastic companion piece to the Mae Shi’s “Run to Your Grave”) to the roller rink-ready vocoder vocals of “I’m In Love With a Ripper”– represent YACHT at their most poppy. It’s a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. Built on electronic foundations– laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths)– these new songs are giddy with creative freedom while remaining tethered in service of their melodies. The vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics’ mantra-like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.
Music: http://www.myspace.com/yacht
White Rainbow (Kranky) is the solo moniker of Portland-based experimental/psychedelic musician Adam Forkner. Forkner’s artistic outputs, including the freshly released album New Clouds platform his enormous musical spectrum which encompasses textures of “blissful space somewhere between dream pop, drum circles, psychedelic rock, and avant-garde electronics.” The music is stunning in capturing audio polarities; a tribal sound balanced with modern aesthetic, altogether intricate yet spacious. Forkner’s startlingly emotive sound has garnered him musical collaborations as instrumentalist and producer to an impressive selection of indie’s finest including Dirty Projectors, Atlas Sound and YACHT.
http://www.yarnlazer.com/whiterainbow/
http://www.myspace.com/whiterainbowwhiterainbow
[[SHOWS]]
11/19 BUSAN BUSAN BUSAN BUSAN BUSAN BUSAN
@ The Basement FACEBOOK
1030PM
15,000 won, 20,000won Door tickets available at Blowfish or The Basement
11/20 Seoul Seoul Seoul Seoul Seoul Seoul
V-Hall FACEBOOK
Schedule:
10-11pm ssssighhhhborgggg
11-12am White Rainbow (live set)
12am-130am YACHT (live set)
130-5am YACHT + White Rainbow DJ teamup Danceathon
Tickets
Students 20,000 (with valid student ID)
Door 30,000
***Advance Tickets [[SEOUL ONLY]]:
Wire money to:
Mi Kyung Christina Cho
Shinhan Bank
110 274 113339
after wiring, Send an email to
scstickets@gmail.com with
1. your name
2. number of tickets
3. amount sent
11/21 Daegu Daegu Daegu Daegu Daegu Daegu FACEBOOK
@ SKYY Bar
800pm
15,000w, Pre-sale info
***Advance Tickets [[DAEGU ONLY]]:
Wire money to:
Mi Kyung/ Christina Cho
Shinhan Bank
110 274 113339
after wiring, Send an email to
diydaegu@gmail.com with
1. your name
2. number of tickets
3. amount sent
*No Minors
More info: www.supercolorsuper.com
